The story seems to always be the same: it's hard for most people to accept tragedies of the past, and that is probably the reason why tear gas going at 24 frames per second like 화려한 휴가 (May 18 ) and 태극기 휘날리며 (Taegeukgi) still gets made. But the best way to remember the legacy of a past tragedy, while at the same time erasing at least a little bit of the residual pain, is black comedy. Bong Joon-Ho is the perfect example, with his 살인의 추억 (Memories of Murder) and 괴물 (The Host) speaking wonders about the power of laughing -- however dry it might be -- in the face of adversity. Im Sang-Soo is another, brilliant case, while the new kid on the block, Park Gwang-Hyun of 웰컴 투 동막골 (Welcome to Dongmakgol) added a welcome "North Koreans are people, too" spin to the proceedings. But how about TV? 경성스캔들 (Scandal in Old Seoul) did try to offer another side of the colonial era, far removed from dichotomies painting you either as an independence fighter or a traitor. But, sure enough, it eventually returned into the warm and smelly embrace of trendy drama tropes. But fear not, because we finally have a contender.