“The Big Scene” is the latest film from Korean director Jang Jin, best known for the abstract gangster comedy “Guns and Talks”, in which he attempted to present a new spin on the usual hitman movie formula. Here, Jin does the same, trying to reinvigorate the traditional detective thriller by working in the cynical theme of modern society’s obsession with the media and by infusing the film with a decidedly offbeat sense of humour. This in itself is nothing new, as many action film makers have chosen to work in social commentary through a critical presentation of the media, as seen most recently in Johnnie To’s “Breaking News”. However, Jin’s film takes a different, slightly more satirical route, adopting the narrative format of television crime drama in a cinematic manner in an effort to produce something fresh and inventive