El secreto de sus ojos (English: The Secret In Their Eyes) is a 2009 Argentine dramatic crime film, directed by Juan Jose Campanella, co-produced by Argentina and Spain, and based on Eduardo Sacheri's novel La pregunta de sus ojos (The Question In Their Eyes). The film stars Ricardo Darin, Soledad Villamil, Javier Godino, Guillermo Francella and Pablo Rago.

It won the Oscar for Best Foreign Language Film at the 82nd Academy Awards[1], just two weeks after been awarded the Goya for the best hispano-american film of 2009 (the Goya Awards are the Spanish equivalent to the American Academy Awards). As of 2010 it has become the second most succesful film in Argentina's history, only surpassed by Leonardo Favio's 1975 classic Nazareno Cruz y el lobo (Nazareno Cruz and the Wolf).

The story, set in 1999, is told in flashback form: in June 1974 a federal justice agent, Benjamin Esposito, becomes spellbound by and subsequently entangled in the investigation of the crime of a young woman, brutally raped and murdered inside her house in a Buenos Aires neighbourhood. Her widowed husband, bank employee Ricardo Morales, is shocked by the news; Esposito vows to find the killer and bring him to justice. In his ordeal he is aided by his alcoholic assistant Pablo Sandoval and a newcomer, the upper class, Ivy League educated lawyer Irene Menendez-Hastings, who takes over as department chief. Esposito's rivaling partner Romano pins the murder on two immigrant workers so as to get rid of the matter - an issue that enrages Esposito, who attacks Romano in a fury.

He finds a tip soon enough while looking over some old pictures provided by Morales: he comes across a dubious young man - identified as Isidoro Gomez - who looks at the victim in a suspicious way in several photos. Esposito investigates the whereabouts of Gomez, and determines that he is living and working in Buenos Aires, but fails to locate him.
Esposito and Sandoval break into Gomez' household in the city of Chivilcoy, hometown not only of Gomez, but also of Morales ill-fated wife. During the illegal search, they (unwillingly) steal a set of letters written by the suspect to his mother. Back in Buenos Aires, the deed earns them trouble back at the courthouse, and neither make anything out the letters. In addition, Gomez remains at large due to a careless phonecall made earlier by Morales, who desperately wanted to apprehend the killer of his wife. In the end, it is Sandoval who comes across a new lead: a fellow drinker in the bar identifies the various names mentioned in the letters (neither with apparent connection) as them being those of various football players of Racing Club.

After identifying him as a Racing Club fan, Esposito and Sandoval attend a football match where Racing Club plays against Huracan in hopes of catching Gomez. With the assistance of police officer Baez and his men, they spot him among the crowd, but a sudden goal provides the necessary disturbance for Gomez to slip away. A surreal pursuit ensues in which Gomez nearly vanishes, but he's ultimately knocked down in the middle of the pitch. Esposito and Irene Hastings subsequently stage a fake, largely illegal interrogation at office. They succeed in bringing him to confess the murder by taunting him and hurting his macho pride.
Justice seems served; however, barely a year later, Gomez is released by a spiteful Romano, who is now working for a government's agency. Amid an increasing political violence, Gomez is set to work as a hitman for the far-right wing of the Peronist party. Esposito finds Sandoval shot dead upon arriving home - Sandoval used to pass the night at the house of his coworker, due to endless arguments with his wife about his drink problems. He presumes, and imagines, that Sandoval was killed by hitmen sent after himself, perhaps under Romano's orders, and that Sandoval posed as Esposito and sacrificed his life for his friend. A building up romance between Benjamin and Irene -the latter then recently married- is cut short by Sandoval's death and Esposito ultimate decision to exile himself deep within the countryside, with the help of some Irene's relatives. Here the movie makes a definite stop on 1999. After coming back from exile in 1985, Esposito returned to an uneventful career in Buenos Aires until his retirement. Haunted by the past, he's determined to write down his story in novel form. He presents the framework to Hastings, still married and with children. She remains resentful and hardened from their sudden departure 24 years earlier, and for never having had her feelings corresponded by him.

Before finishing his novel, Benjamin Esposito drives to meet Morales, the widower, who has taken to a quiet life in a rural area and gradually let go of his obsession with the murder case. Esposito promises him that he will not rest until he can put the convict once again in jail. A hesitant Morales then confesses to having killed Gomez in 1975. He told that after correctly assuming that the murderer was stalking Esposito, he awaited for Gomez outside Bejamin's apartment. He stated that after shadowing Gomez to an isolated place, he mugged and shot him in the trunk of his car. A disturbed Esposito leaves, but upon thinking over certain facts, secretly returns to Morales' house. Sneaking inside, he is shocked to find that Morales has a makeshift cell in his home and that he has kept Gomez chained inside for over 24 years as punishment for his wife's death. He kept him alive by feeding him and tending to him, but not once in 24 years talking to him nor letting him out. Morales repeats what he had maintained in front of Esposito back to 1974: that, instead of a death sentence, he believes the boredom of a meaningless life in jail to be true justice.

Esposito leaves. He pays a visit to Sandoval's grave. Knowing that Gomez will never be a free man again, he finally comes to terms with his life. He visits Irene one more time, where he finally responds to her feelings. Their love rekindled, they smilingly shut themselves in her office.